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Cloudy with a
Chance of Meatballs

Starring: Bill Hader, Anna Farris, James
Caan, Bruce Campbell, Al Roker
Directed by: Phil Lord, Chris Miller
Produced
by:
Pam Marsden
Written
by: Phil Lord, Chris Miller
Distributor: Sony Pictures Releasing |
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Every
“quirky” Nickelodeon cartoon producer should learn from the way
Cloudy with a Chance of Meatballs matches delirious
energy with smarts and cleverness. This beautifully animated
film, based on the beloved kids’ picture book, could easily be
called “plucky,” but nowadays that term tends to signal an
incoherent production on the aforementioned TV channel.
Cloudy with a Chance of Meatballs, despite its outlandish
premise and fantastical images, is actually a pretty cohesive
movie with a strong emphasis on character. It even gets away
with a dizzying no-no of a montage sequence, in which its young
inventor protagonist runs through his lab completing tasks
amidst quick edits, self-narration, and alarming sound-effects.
In any other work, particularly on Nick, this would have been
obnoxious, played to emphasize its schizophrenic nature. But in
Cloudy with a Chance of Meatballs, it works because it
tells the viewer something about the way the main character’s
mind works at a mile a minute. Likewise, in all other areas, the
movie matches style with substance. And when a film’s style is
as rich as this one’s—there’s a scene where it snows ice
cream—that’s no easy feat.
If you’re
unfamiliar with the material, you might be cynical about its
potential beyond mere imagery, but don’t be. (Fortunately, I was
able to jump into the action right away, having loved Judi and
Ron Barrett’s book as a kid.) In a year of emotionally inept
animated films like Ice Age 3, Monsters vs. Aliens,
and Pixar’s vastly overrated Up, this one stands out as
the most involving on emotional and narrative levels. Flint
Lockwood (the voice of Bill Hader) lives on an island in the
Atlantic where life is monotonous and people eat nothing but
sardines. While Flint’s simpleton father (James Caan) wants to
see his son join him working at his fishing tackle and canned
sardine shop, Flint has bigger aspirations to become a renowned
inventor. Working all his life out of what evolves into a
cutting-edge lab above their house, Flint devises a machine that
converts water into food to solve the people’s dissatisfaction
with sardines. He fires it up and suddenly all kinds of food is
falling from the sky – not just the title dish, but burgers and
Jello and pancakes and more. On the scene to report is a cute
but geeky-on-the-inside TV meteorologist named Sam (Anna Faris),
who Flint quickly falls for.
Of course,
the film is a visual delight and, even though all of the food is
animated, you’d be torturing yourself by seeing it on an empty
stomach. The computer graphics use pastel colors that look like
they’ve come straight out of a crayon box, as periwinkle ice
cream and burnt orange egg yolks come splashing onto the screen.
All of the action sequences are attractively animated. And in
glorious 3D no less – the kind that actually makes use of the
new digital technology by creating newfound senses depth and
movement, making the $2-4 surcharge as well-spent as it’ll ever
be. (I have my doubts about whether 3D should be used at all,
but that’s a topic for another piece.) Behind all the fancy-schmancy
stuff, though, Cloudy with a Chance of Meatballs also
nails the most important animation fundamental: character
design. From the ambitious-looking Flint to his
eyebrow-concealed father (you’ll know what I mean when you see
him), the movie proves that the image of a character tells us
just as much about them as the things they say and do.
However, as I
mentioned in the first paragraph of this review, the characters
themselves are just as impressive as the film’s appearance.
Flint is more than just the average young man trying to find
acceptance in a world that doesn’t understand him; he’s an
embodiment of the viewer’s sense of wonder. Watching his
passions, however simplistic, in full gear and then manifested
by food precipitating from the sky, it’s hard not to find
oneself inspired on some level. And Flint’s romantic tension
with Sam couldn’t be sweeter and less conventional, even if the
presence of a love interest is conventional by design. The movie
owes so much of this success and depth to the voice-cast, led by
Hader and Farris, who give the wacky material a grounded sense
of human reality. Despite having to speak through computer
images, Hader comes across as being just as funny and zany and
Farris just as charming and attractive as they do in person.
This is precisely the magic of Cloudy with a Chance of
Meatballs: it’s equal parts endearing and whimsical. While
it may not, at a scant 90 minutes, be as complex or as refined
as Pixar’s best entries in the genre, it’s the best animated
film I’ve seen all year.
-Danny Baldwin,
Bucket Reviews
Review Published
on: 10.5.2009
Screened on:
9.19.2009 at the Krikorian Vista Village 15 in Vista, CA.
Cloudy with a Chance of Meatballs is
rated PG and runs 90 minutes.
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