Hero
caries the title-tag "Quentin Tarantino Presents", which does a great
disservice to both it and the culture-aficionado who claims to be inductor
into the American market. The material in Zhang Yimou’s film, which was
written in Mandarin, resembles something along the lines of Kill Bill:
Volume One on the surface, but is much richer and, at times, funnier
than Tarantino’s homage to films of its sort. The American writer/director
could only dream of creating a similar work of equal skill as Zhang, whose
credit has been stolen by his fellow filmmaker. For all I know, such a
marketing strategy could draw crowds into multiplexes, as a result of their
recognition of a popular name. But, from a purely artistic standpoint, the
foreign filmmaker has been played.
The story, which chronicles a group of three
warriors’ attempt to assassinate the King of Qin, who leads an expanding
empire, is packed with cheesy dialogue from writers Feng Li and Bin Wang, in
addition to Zhang, himself. But, it only sounds ridiculous. Those who
actually read into all of the lines in Hero will discover deep
symbolism, which is enriching in every sense. If taken for face value, the
one-liners may seem like stupid, overly important pieces of recitation, but
in them are great ideas regarding social and mental politics. In addition,
the movie shows a clear understanding of concise mathematics, and their
contrast with emotion. As a person proves their trust to the King of Qin,
they can move closer to him, as he rests on his throne. I take this as a
metaphor for a tight lifestyle, in direct parallel to vulnerable government,
while still remaining in a state of traditionalism. One could call this
ritual of approaching the King important to retaining the pre-existent
conduction of the empire, but, at the same time, it shows his great fear of
one trying to overthrow him. He is symbolic of order; all of the land he
controls would be overthrown, without him.
The aesthetics of the film are perhaps the highest
noticeable priority on Zhang’s agenda. The appearance of each scene is
striking; light is instituted in times of chaos, in the form of either
expanded coloration or usage of an outdoor locale for the particular scene.
I suppose this translates into the expression of the serenity; violence can
seem bittersweet when it concerns revenge or, as it does in this movie,
deception. Attentive viewers will notice that as the main character,
Nameless (Jet Li), discusses issues with the King of Qin, and his
participation in the plan to overthrow the empire is revealed, the room
becomes slightly lighter. This references the two characters’ enlightenment.
On the King’s part, this is exhibited in the form of his increasing
knowledge of Nameless’ true motives. But, as he realizes this, Nameless
further understands the consequences of his future actions, leading to a
surprisingly unpredictable, haunting, and heartbreaking conclusion.
In addition to the more meaningful visual
techniques, the special effects are absolutely amazing to simply gaze at.
The battle scenes, particularly the deceptive showdowns between characters,
are insane. Flying Snow (Maggie Cheung) and Broken Sword (Tony Leung Chiu
Wai) participate in most all of these, and account for two thoroughly
interesting personalities.
The acting in the film, particularly on the part
of Li, who I have hated in all of his previous projects, is astounding in
Hero. It is one of the many surprisingly terrific features in what may
appear to be a standard kung-fu flick. Here, there are themes worth
analyzing and true artistry to be found, in addition to the expected cool
action sequences, typically found in this type of film. Whatever one’s
reason for seeing Hero, whether it be the artistry, swordplay, or
storytelling, they’ll certainly find it to be enjoyable. I was elated by the
material, stunned by its apparent depth. There is nothing “normal” about
this motion picture, and, in a drought of quality films, that should be
reason enough to see it. Let’s just hope that it finds the same broad
audience that Crouching Tiger, Hidden Dragon did, nearly four years
ago.
-Danny, Bucket Reviews (8.11.2004)
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