A dazzling
spectacle of love, loss, life, liberty, and adaptation, Nowhere in Africa
is a brilliant tapestry of cinematic beauty. This is a film about the
holocaust, similar to Life is Beautiful, that is often gleeful and
cheery, even though there are mass quantities of chronic depression in its
content. The liveliness of the excellent cinematography, as well as the
beautifully written perspectives of the hopeful characters make the rather
melancholy moods more uplifting, once resolved. Nowhere in Africa runs a
whopping two hours and twenty minutes, and could definitely be called epic, but
we don’t feel as though it is very long. The subtitles, which I usually dread,
became non-existent after a half an hour had gone by—as if I could fully
comprehend the German and Swahili languages. Nowhere in Africa is
stunning, simply stunning.
It’s 1939,
in Germany, just before the Second World War
has begun. Jettel Redlich (Juliane Köhler) and her daughter Regina (Karoline Eckertz) are Jewish; very
frightful of the obstacles that lie ahead of them. But these obstacles don’t
involve the terrible things that the Nazi’s are going to do to the Jews during
the war. These obstacles lie in Kenya, Africa.
Jettel’s
husband, Walter (Merab Ninidze), is already in Kenya. She and her daughter will soon
leave Germany, for Africa, in order to escape from the
Nazi’s. After all is said and done, they reach their destination, and Walter is
in his new home of Africa to welcome them, smiling and affectionate. But Jettel doesn’t like Africa one bit. She and her family are in
a place called nowhere, amidst the sands of the desert, and traditional
natives. She says she would like to go back to Germany, even though this is stated without
much though. Jettel doesn’t realize the horrible things that the Nazi’s are
putting her people through just yet. Will she be able to adapt to Africa? What’s to come of her family in
the future?
Nowhere
in Africa’s best feature is undoubtedly the cinematography; it was snubbed
of a nomination at the Academy Awards. Gernot Roll’s beautiful work is
dazzling. There is such intricacy to the overhead shots of the African savanna;
we gaze at them as if they are actually in front of us in reality, and not just
on a movie screen. The camera weaves in and out, from location to location, in
a brilliant manor. Nowhere in Africa is a spectacle of impressive
features. I was fully amazed at its simple power. This is a soulful film. I
could stare at it for an eternity.
The score,
by Niki Reiser, is haunting. Its infrequent uses are perfectly positioned
throughout the film. The piece blends wonderfully with each scene, even though
it wouldn’t seem so, to the naked ear. By itself, the composition really, isn’t
that amazing. But the way it blends with the film is so shockingly perfect, one
cannot deny that this is another area that Nowhere in Africa was robbed
in at the Oscars. This strengthens the meaning of this emotionally heart
wrenching film. An extravagant, epic portrait of life and its relationship to
persecution, Nowhere in Africa is near perfect, even though it sadly,
will not be remembered by many because of the small release.
The writing
is also one of the most stupendous features in Nowhere in Africa. This
film is a multidimensional character study, which examines the way
personalities evolve while adapting to a changing surrounding. This evidence is
mainly reflected in Jettel and how she changes, according to her new home. She
escapes from the persecution of the Nazi’s, yet when she comes to Africa she persecutes the natives. She
wants to move back to her home because she is not able to get used to the
chronic change Africa brings, yet her homeland of Germany is the victim of change. We see
abuse of power and superiority via her character, whether she be the one
misusing it, or the victim of it herself. Her emotions and love unravel in the
film, shockingly perfectly. This depth in the picture is derived through the
magnificent and inspired writing. Nowhere in Africa is a monumental
achievement.
A
superfluous film, Nowhere in Africa skyrockets its way into being one of
the best films in release at this time, and one of the best foreign films of
the year. This is an epic journey, free of any big, physical battles or special
effects. This movie shows us that superior dialogue is where the heart of
cinema lies. The extravagance of Nowhere in Africa is what’s
appreciable. Its divine ways of showing philosophical viewpoints in film are
superb. Touching, inspiring, and simply beautiful, this is a journey worth
taking, and the year’s best so far at that.
-Danny,
Bucket Reviews
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