As seen at the 2009 SXSW Film
Festival:
I Love
You, Man is the latest comedy from Judd Apatow’s famous
“frat-pack,” and it’s so assuredly entertaining and funny that
it’s hard to believe Apatow himself didn’t so much as produce.
Instead, it’s the brainchild of writer/director John Hamburg and
co-writer Larry Levin, who have fashioned a distinct film that
falls tonally somewhere in between the family dynamics of
Knocked Up and the broad gags of Forgetting Sarah
Marshall.
The movie
stars Paul Rudd as the about-to-be-married realtor Peter, who
realizes he doesn’t have any strong male relationships when
unsuccessfully trying to find a best man. This becomes an issue
after he eavesdrops on his fiancée (Rashida Jones) gossiping
about his lack of pals with her girlfriends. Desperate to find
somebody to fill the role, Peter seeks the help of his
extroverted gay brother (Andy Samberg) to shore up the perfect “bromance.”
But buddy-love finds Peter on its own when Sydney (Jason Segel),
a laid-back guy’s guy from Venice, shows up at Peter’s
open-house looking for a rich cougar. The two hit it off
immediately, Sydney goofily complimenting Peter on his choice of
Paninis—he’s clearly been to a lot of similar functions
in his quest—and obnoxiously speculating on attendees. Typical
male bonding ensues, but it’s handled with such a refreshingly
unique truth and sense of humor that the audience never
remembers they’re watching formula.
The movie’s
superior understanding of male relationships lies in the writing
and in the lead performances by Rudd and Segel. It hits the
right notes out of the gate, never falling for the cliché
temptation to make Peter a miserable guy. In real life, the
character indeed wouldn’t be outright depressed because he
boasts the two defining traits of masculinity—a challenging
career and a woman—as scribes Hamburg and Levin perceptively
understand. Instead, it isn’t until said woman takes pity on him
that he realizes what’s missing in his life, a rational male
response. Furthermore, Peter responds in a proactive, almost
self-competing way to rectify the issue and prove his masculine
worthiness in subtle shame. This unexpectedly real emotional
development earns I Love You, Man the frat-pack
signature: a comedic story with authentic human emotions.
When the
bromance takes off, Rudd and Segel attain buddy chemistry more
affectionate and exhilarating than anything moviegoers have seen
from Hollywood in awhile. In a second act full of bonding, the
leads play into the “opposites attract” mold perfectly, as
Paul’s introverted desires are brought out by Sydney’s
willingness to act as wildly as reason will allow. The two
actors perform on high-wire and their chemistry is insatiable as
the movie provides surprisingly fresh takes on set-ups like the
buddy jam-session—capped by a funny affection for Rush—and the
“man-date” by the beach. It would be inappropriate of me to
spoil the jokes themselves, but rest assured: they’re hilarious.
I Love
You, Man does have a few problems at the end when the
exurbanite amount of time Paul and Sydney spend together
inevitably begins to take away from Paul and fiancée Zooey’s
relationship. While this is not bothersome for its clichés—given
the plot-structure Hamburg and Levin attempt, it’s pretty much
necessary—it drags attention to the fact that Paul and Zooey’s
bond was never really developed in the first place. The viewer
accepts that they love each other at the beginning, but as the
relationship continues unsubstantiated, their purportedly
perfect pairing seems more like an artificial plot device than a
believable union. Yes, Sydney’s intrusion is forcing them apart,
but the couple’s initial lack of basic chemistry makes it hard
to believe they care enough about each other to not break up
completely, especially having only known each other for eight
months. It would’ve been nice to see more of Paul and Zooey
together in the first act. But the contrived strength of their
relationship can ultimately be chalked up to good ole movie
magic, and it admittedly provides for one of the movie’s most
riotous sex-related gags. (When you see the movie, you’ll know
what I’m referring to.)
Is the movie
socially significant in the ways that Knocked Up and
Superbad were? No, but it isn’t trying to be. Instead, I
Love You, Man is a consistently engrossing, silly romp with
a keen understanding of the male mind. At the end of the day,
that’s about all you can ask of a great March comedy.
-Danny Baldwin,
Bucket Reviews
Review Published
on: 3.18.2009
Screened on:
3.13.2009 at the Paramount Theatre
in Austin, TX.
I Love You, Man is rated R and runs 110
minutes.
Back to Home