Hey, everybody, it’s time to get out your pajamas, your
carton of Haagen Daas ice cream, and your sentimental Oprah-adoring
state of mind and watch a movie about Taliban’s generation-long
military occupation of Afghanistan! You’ll laugh a bit, you’ll
cry a lot, and you’ll come to realize that the Middle East has
been every bit the big, bad place that you had assumed it to be
for a very long time! In fact, along the way, you may even pick
up some Dari, the native language of Afghanistan, which is
readily spoken throughout the film. But don’t worry – you won’t
have to read too many subtitles if you don’t want to: there’s
lots of action to distract the characters from talking and, when
blessed with the proper American setting, sometimes they even
speak English! Not to mention, the plot is so conventional
anyway that you really don’t have to listen to the dialogue to
know what’s going on!
Still not interested just yet? Well,
I’m about to offer up a seal of quality that you will not be
able to ignore. Remember how, in the beginning of this review,
we established that you are currently in an “Oprah-adoring state
of mind?” Well, guess what? The movie is The Kite Runner,
and it’s adapted from one of the best books read by Oprah’s Book
Club! So don’t fret: if Oprah likes it, you’ll like it. On this
note, make sure that you vote for Barack Obama in the upcoming
Democratic Primary (you are Democrats, aren’t you?), because
Oprah endorses his nomination for President! We all know that
what Oprah says, whether it involve great contemporary
literature or great contemporary politicians, is unquestionably
and unequivocally correct!
If you still aren’t sold on the movie,
I will describe its tear-jerking plot for you so that you will
understand what an epic ride The Kite Runner just is. The
first act introduces the viewer (that could be you!)
to two boys, Amir (Zekeria Ebrahimi) and Hassan (Ahmad Khan
Mahmidzada). Amir is the son of a wealthy landowner and Hassan
is the son said landowner’s servant. The two get along—Amir is
consistently impressed by the fact that Hassan is the best “kite
runner” in their hometown of Kabul, Afghanistan—despite their
strong class differences. But one day, Amir witnesses Hassan
being beat up by a gang of local bullies and finds himself
unable to report the crime because of his perception of their
class distinction. Amir commits a sleazy act that ensures that
Hassan and his father leave the servant-job, allowing him to no
longer have to deal with the guilt provoked by his concealment
of the bullying-event. Shortly afterwards, Afghanistan erupts
into the very war-torn chaos that led to the Taliban coming to
power. Amir and his dad are able to flee Kabul for America;
Hassan and his father are not so lucky.
The rest of The Kite Runner,
which I dare not spoil, follows adult Amir’s return to Kabul
after living in America for over twenty years. It’s really
emotional and just downright good! In fact, I got really
choked up and teary-eyed just writing about the movie during the
last paragraph. It’s just… so crazy to see how horrible the
Taliban was. And it’s really hard to see how Amir treated Hassan,
who really loved him, just because he was poor! I mean, I saw it
in a theatre and I forgot to bring my tissues. This caused my
plethora of tears to leak down onto my pants. When I left the
theatre, the usher thought that I had peed my pants
because my pants were so wet! That’s how much this movie will
make you cry! But you’ll cry in a good way… like a “we can all
feel good because now we know that we can somehow make the world
a better place because we’ve seen The Kite Runner!”-kind
of way. It’s really powerful to know this.
Now, there is one pretty big problem
that I have with the movie: director Marc Forster (the German
guy who did that really cool Johnny Depp movie Finding
Neverland) uses a straightforward, Classical style in
presenting it. It really brings too much emotional intimacy and
“deep” quietness to the story. I was already affected by the
mere idea of the plot—people being killed by the
Taliban—so I wanted some big explosions or some wacky handheld
camera or maybe even different actors playing the characters
(like in that movie about Bob Dylan that’s out now but I still
haven’t seen) to spice things up. All three of these styles
could have made the movie an even more wonderful experience with
even more emotional layers! When films are done in a style
that’s merely “nice,” the only people who pick up on the real
depth behind the seemingly straightforward material are NYU Film
School Students! And given that I’m a total Everyman, I need
something wilder to think about – something to totally give my
mind a good fucking! Kinda like that weird brain-twister that I
didn’t understand called Southland Tales, which was made
by the same guy who did Donnie Darko. Maybe that guy
should’ve directed The Kite Runner instead of Forster.
Still, I don’t want to dwell on The
Kite Runner’s single flaw. There’s a lot more good stuff
about it that I could talk about. But I wouldn’t want this
review to get too long because you might be reading it
so long that you would miss the next showtime of the movie
at your local theatre! So let me mention the great performances
and I’ll get out of your face. Everybody in the movie is
absolutely wonderful! From kid actors Ebrahimi and Mahmidzada to
grown-up actors Shaun Toub and Ali Dinesh, the cast feels
totally real in their roles. (They made sure to get genuine
Arabs to play the characters so that we didn’t have to deal with
the disbelief of a white or a black actor playing the role with
Arab makeup, too, which is an added bonus.) So, yeah, now that
I’m done talking about the acting, I’ll do what I said I would
and get out of your face. Just make sure that you go see The
Kite Runner today! It’s Oprah approved!
-Danny Baldwin, Bucket Reviews
Review Published on: 12.16.2007
Screened on: 11.15.2007 at the Landmark Hillcrest Cinemas
in San Diego, CA.